「So does that make it more tragic or less tragic that if he has a choice? → I think it's more tragic because if it's all just inevitable, then that means that the characters had no hope. They never had hope because they're all just like hopeless. They're all like pawns in this horrible, hopeless machine.」「You didn't kill her. She isn't gone.」

“这世上的一切都变了，只有这味道还不变”。

这个导演和黄轩太搭了，有很多要炫耀的技巧，但完全没有灵魂，好久没看过情绪这么不连贯的电影了，全程尿点。而黄轩和杨子姗吵架的两场戏剧本也尬到极致。罢了罢了散了

就这么俗不可耐的剧情都能拍得那么清新怡人。一眼就看出女主是kill me heal me里面只出现了几分钟的女神经病，我是有多喜欢那个剧啊。

题材跟1990年姜文的《本命年》类似，但不如前者。无非是比较客观的反映了城市拆迁，工厂凋敝，工人下岗等社会现象，就值得被禁，还跻身大陆十大禁片，张元真够冤的。感觉中规中矩，中间虽有些压抑，但结尾算是积极的，“人间自有真情在”。李冰冰演技不错。