Shoot down the baddies, strike a pose, get rich! The 2nd movie of the Dollars trilogy could be satirized in these terms, but how unfair would that be? You don’t watch Sergio Leone for deep philosophical insights, but for his filmmaking. For Ennio Morricone’s splendid scores too: he knows when to go silent, how to creep you out with dissonant strings, when to get synchronized and punctuate iconic gestures. He can charm with a chime, and soar into epicness or poise for a showdown. An interesting relationship between the two MC and internal conflicts among conspirators also make for a good story. But it's Maria Volonte as an eerie, brutal, cunning and even sensual villain who shines most.

这个编剧真的有考察过基层民警生活么？强行烟火气，一个派出所三分之二的警察是和事佬，老头住院所长募捐，合着警察没爸妈没家庭？就这样道德绑架是么。

这就是当年电视剧的标准吗？八级感觉写错了。50级的感觉。王志文的演技可以的，现在的电影，电视剧中已经很少能见到。我说的这种，这种改掉了。从刚开始的那个婚姻的自杀开始啊，就吸引住了我的一个兴趣，感觉非常非常有吸引力，这个电视剧的观念啊，非常的超前。我甚至一直都会感觉到，咱们现在的这个社会到这个范围啊。好像比20年前还要不开放，然后那个地方采取性的也是巨大的，你看他们老北京啊，20年前的日子过的。比我现在还要好。

对这片的评价应该很两级，我折个中好了。我只能说确实是尴尬症杀手

不太好笑，甚至有几集完全不好笑，支撑看完的动力大概是习惯？